Friday, 2 September 2011

Britney Spears Accepts Video Vanguard VMA - And A Kiss From Lady Gaga

Gaga's Jo Calderone alter ego introduced a dance tribute to Brit's best videos.
By John Mitchell


Britney Spears and Lady Gaga on stage at the 2011 VMAs
Photo: MTV

It's only fitting for one princess of pop to fete another. And that's what happened when Lady Gaga stepped out onstage at the MTV Video Music Awards to pay tribute to Britney Spears with the Michael Jackson Video Vanguard Award. Well, kind of.

Gaga took the stage to honor Spears still in character as her male alter ego Jo Calderone, which she'd taken on for her show-opening performance earlier in the night. And that made things pretty interesting. Calderone opened by calling Spears an inspiration, saying, "She taught us all how to be fearless, and the industry wouldn't be the same without her."

Calderone then went on to get a little personal about Spears. He told the audience he used to put up posters of the pop star on his bedroom wall and be inspired in non-musical ways. It was a weird moment, but Calderone is a young guy of the right generation — a generation that would indeed have posters of Britney Spears on his/her wall.

There's a reason, after all, she was being awarded the Vanguard Award. The tribute then turned into exactly what any great tribute to this particular diva should be: a dance party. Spears is known as one of the biggest dance pop artists of her generation, and accordingly, dancers wearing Britney's most famous video looks took the stage to get down to her biggest hits, from "Baby One More Time" and "Crazy" to "Toxic" and "Do Somethin'."

By the time the sequence dissolved into a full-stage dance-off to Spears' recent smash "Till The World Ends," children also wearing Spears' myriad costumes popped up onstage alongside their grown-up dancing counterparts. It was a fitting way to show the impact Spears' music has had. From kids to adults, everyone knows and loves Britney. As the performance ended, Gaga-as-Calderone again grabbed the spotlight to introduce the pop star and did so with the kind of bravado that carried him through his monologue earlier in the show. "Everybody, stand the f--- up," Calderone demanded.

Looking better than ever and glowing from all the praise, Spears then took the stage.

Calderone certainly liked what he saw, eyeing the singer before stepping forward for a semi-awkward stare-down. But Gaga, er, Calderone eventually got what he wanted: a quick kiss from the one and only Britney Spears. He wanted more, however, but alas, it just wasn't going to happen. Being a classy guy, Calderone brushed off Britney's dismissal of his advances with a cool, "I don't want Gaga to get pissed."

Spears seemed thankful for the prize but used her time to shine the spotlight on another artist: Beyoncé. Spears introduced Queen B's unstoppable performance of the amazing 4 track "Love on Top" — at the end of which Beyoncé revealed her pregnant belly.

The 28th annual MTV Video Music Awards have wrapped, but the real action is just getting started! Stick with MTV News for winners, fashion pics, video and behind-the-scenes stories about everything that went down. Visit VMA.MTV.com for the latest.

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Photos | Janet Jackson Performs A Tribute To Michael Jackson At The VMAs

Janet Jackson Performs A Tribute To Michael Jackson At The VMAs

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Thursday, 1 September 2011

Janet Jackson Thrills Fans With Greatest Hits, Michael Tribute At Radio City

Singer covered songs ranging from classic 'Pleasure Principle' to 2008's 'Feedback' at New York show.
By Vaughn Schoonmaker


Janet Jackson (file)
Photo: Christopher Polk/ Getty Images

NEW YORK — Often imitated, never duplicated, Janet Jackson's outbursts of meticulous choreography, sassy exclamations and smoldering gazes into the audience kept them on their feet for the entire two-hour set of her greatest hits at Radio City Music Hall. Monday night marked the last of three sold-out shows at the historic venue on her monumental Number Ones: Up Close and Personal Tour.

Up-and-coming boy band Mindless Behavior opened the show with songs including "#1 Girl," "Future" and their debut single, "My Girl." With their Usher-esque dance moves and shouts like "Where the ladies at?" the boys brought the tween girls out of hiding, judging by the shrill screams escaping various corner of the music hall.

At 9:00 sharp, the lights went down and Janet's fans were on the edge of their seats, watching music videos for "The Best Things in Life Are Free" and "Rhythm Nation" projected on big screens across the venue. A small shadow drifted toward center stage, and when the colorful lights came up, Jackson, wrapped in a shoulder-padded catsuit, complete with slick short hair, blasted into "The Pleasure Principle," dancing as hard and intensely choreographed as she did when the song first came out in the 1980s.

With barely a spare second between songs, Janet dazzled her way through her biggest hits, including "Miss You Much," "All for You" and "Nasty," and more recent hits like 2008's "Feedback."

Videos displayed during Jackson's costume changes included vintage clips from "Diff'rent Strokes," a funny scene from "Poetic Justice" where Jackson slyly rejects the advances of Tupac Shakur's character, and a rather heavy scene, as Jackson's character in "Why Did I Get Married" destroys her husband's house with a golf club, screaming hysterically.

Considering the tough couple of years the Jackson family has faced, the dark moments in the video seemed fitting, and everyone was beside themselves with bittersweet joy when Michael Jackson's face popped up on the big screen and she performed their hit single "Scream."

Janet emerged for her encore in a tight white one-piece disco suit, and performed "Diamonds," "Make Me" and "Together Again," which appeared to be the biggest hit of the evening. As Jackson graciously bowed out, her straight face transitioned into a smirk, suggesting that despite the hard times she has experienced recently, we can expect to see this singing and dancing pop legend shine far into the future.

"Its amazing!" Janet fan Elena Mercantini gleamed afterward. "It's like she's still 20 years old!"

"She's hot, she's amazing and she's still got it after all these years" added Alison Klinger of Long Island. "Best concert I've ever been to!"

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Photos | A History Of Britney Spears At The VMAs

A History Of Britney Spears At The VMAs

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Machine Gun Kelly Shoots His First Bad Boy Video

'I never been on a real video set,' MGK admits to MTV News.
By Rob Markman, with reporting by Matt Elias


Machine Gun Kelly on the set of the "Stereo" music video
Photo: MTV News

Bigger deals mean bigger budgets. While on the come-up, Cleveland, Ohio's Machine Gun Kelly made the most of his independent music grind, but his new deal with Diddy's Bad Boy Records has allowed the rapid-fire rapper to do things slightly bigger.

"This is the first video we're doing with Bad Boy/Interscope," MGK told MTV News on Monday while on the set of the Colin Tilley-directed clip for his mixtape cut "Stereo."

"Man, our videos? C'mon man, they're like all directed by us; like jokes, then we turn it and flip it and make it great," he said of his past vids like "Cleveland" and "Salute."

For "Stereo," Kells invaded Fred C. Nelles Youth Correctional Facility in Whittier, California. "We shut the whole thing down, moved all the prisoners in one room ... it's pretty crazy," he joked. "It's just a bunch of just badass girls, and we're all just getting shipped to the correctional facility and we're just having a bad time. It's like the music comes on and it kinda cheers us up, kinda just excited and ready to do whatever."

In August, Diddy announced that he signed MGK on "RapFix Live," and while Kelly doesn't exactly fit the Bad Boy rapper mold set by the likes of the Notorious B.I.G., Mase and the LOX, Combs insisted that he doesn't want the youngster to change a thing. "He will not be changing for Bad Boy; he will not have a typical Bad Boy swag," Diddy said. "He's not going to be popping champagne or driving around in Bentleys. He's gonna be him and true to himself. He has a lot of creative control in his project."

After breaking through with his 2010 mixtape Lace Up, MGK caught hip-hop's attention. His popularity began to grow so much that the NBA's Cleveland Cavaliers began to play his hometown ode "Cleveland" at home games during the 2010-2011 basketball season. On the upbeat "Stereo," MGK raps metaphorically about his love affair with music and his stereo.

For Kells, turning his underground fan-favorite into his first big visual means the world to him. "We're just about being organic and keeping everything how it was before the deal, so we're taking one of the older songs that the fans love," he said. "I never been on a real video set. I'm so happy I'm from Cleveland, Ohio, dude. This whole experience is just crazy."

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Michael Jackson Family Announces Tribute Concert

Lineup for October show in Cardiff, Wales, will be revealed August 3.
By Gil Kaufman


Siblings LaToya, Tito, Jackie and Marlon Jackson after announcing 'Michael Forever,' in Beverly Hills July 25, 2011.
Photo: AFP/Getty Images

Michael Jackson's family has announced a tribute concert to the late King of Pop that is slated to take place on October 8 in Cardiff, Wales. The four-hour show at the 75,000-capacity Millennium Stadium will be broadcast via satellite on pay-per-view and into movie theaters with a cast of big-name performers whose identities have not yet been revealed.

At the Beverly Hills press conference on Monday revealing the details of the "Michael Forever" show, Jackson family matriarch Katherine was joined by sons Tito, Jackie and Marlon and daughter LaToya; siblings Jermaine, Randy, Janet and estranged husband Joe were not in attendance.

"When I was told some of the names of the artists performing, I knew it would be fit for a king. If my son was here today he would feel the same way, and so I'd like to say thank you very much for helping to keep my son's legacy alive," Katherine Jackson said of Michael, who died in June 2009 of a heart attack caused by a prescription drug overdose.

According to Wales Online, the show will feature artists Jackson admired and will celebrate the 40th anniversary of the start of his solo career.

"I will be there along with as many members of my family that can make it," Katherine said. "It is intended to be the biggest and best concert in the world for many years to come." LaToya added, "This event is far, far overdue. He was an entertainer who I feel no one can ever stand up to or hold a candle to as far as his talent is concerned. This tribute will be something spectacular and I know that he would approve."

One of the show's producers said that despite taking place in a large stadium, the event will have a more intimate atmosphere with the building's roof closed. Proceeds from the show will benefit three charities Jackson supported: the Prince's Trust, AIDS Project Los Angeles and a cancer charity. The show's lineup will be announced on August 3.

As with many things related to MJ's legacy, there was controversy, as brothers Randy and Jermaine said they thought the timing of the show was inappropriate. In a statement, the two said, "While we wholeheartedly support the spirit of a tribute that honors our brother, we find it impossible to support an event that is due to take place during the criminal trial surrounding Michael's death. As everyone knows, those proceedings commence September 20."

That date is when Jackson's former doctor, Conrad Murray, is slated to go on trial for manslaughter charges in the singer's death.

Jermaine attempted to put on a tribute concert to his late brother in September 2009, but the show fell apart after many of the top acts were unable to commit to the event.

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Britney Spears Drops Official 'Till The World Ends' Remix

New track with Nicki Minaj, Ke$ha follows leaked version, plus Brit tweets single's cover art.
By Jocelyn Vena


The "Till the World Ends" Femme Fatale remix
Photo: Jive

Just days after it was leaked on Friday, Britney Spears and her femme fatales, Nicki Minaj and Ke$ha, dropped their official remix of "Till the World Ends."

The new version of the song was produced by Dr. Luke and Dream Machine. Brit half-whispers " 'Till the World Ends' remix" before the beat kicks in and Nicki hits her verse hard. She spits fierce lines like, "Sniff, sniff, cries/ I done slayed your whole entire f---ing life."

Then Britney's sex-kitten vocals kick in for the song's first verse. "That's Britney, bitch! I'm Nicki Minaj and that's Ke$ha," the Queens MC declares before K sings the chorus. The beat is harder, the loops are sassier and the song is grimier than the original version, which was the second single from Femme Fatale. The newly added dubstep portion takes the one from "Hold It Against Me" to a new level by adding in bass-heavy synths.

Ke$ha, of course, wrote the track for Britney, and the ladies certainly don't seem to mind sharing the spotlight with each other. The official track isn't much different than the version that leaked over the weekend, though Spears did have something brand-new to share with her fans just as the song dropped on iTunes and streamed on her website.

Spears tweeted the artwork for the single, which features the original press photo of Spears along with separate photos of Nicki on the left and Ke$ha on the right. Spears wrote, "@NickiMinaj @Keshasuxx Too much fierceness for one cover! Thanks for lending your voices girls... #TTWEREMIX — Brit"

Spears and Minaj have been hanging out a lot in the lead-up to their summer tour. They hung out at the Factory nightclub on Friday night after Minaj's show in Los Angeles. Spears later wrote, "Early rehearsal after a late night with my girl @NickiMinaj. Can't WAIT to get out on the road with you."

What do you think of the "Till the World Ends" remix? Tell us in the comments!

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Beyonce's Baby Bump, Lady Gaga's Jo Calderone Rule 2011 VMAs

Jay-Z and Kanye West's debut Throne performance and Katy Perry's Moonman haul also make a huge impact.
By Ryan J. Downey


Beyoncé on stage at the 2011 VMAs
Photo: FilmMagic

Lady Gaga, Britney Spears and Beyoncé onstage together; Gaga kicking off the show in drag backed by a legendary rock guitarist; Adele pitting a stripped-down stage show against the likes of surprise performers Jay-Z and Kanye West's pyrotechnics; and legendary grunge trio Nirvana name-checked by Miley Cyrus, Selena Gomez and Chris Brown like it was 1991.

It was, of course, the 2011 VMAs. And women ruled the night.

Five of the eight televised awards (including, of course, Best Female Video) went to strong females: Video of the Year (Katy Perry), Best Pop Video (Britney), Best Hip-Hop Video (Nicki Minaj), Best Collaboration (Perry, with Kanye) and Best Female Video (Gaga).

Speaking of Gaga, her Jo Calderone alter ego introduced on the cover of Japanese Vogue opened the show. With a dirty white T-shirt, black pants, boots and a pompadour to make John Travolta's character in "Grease" blush, there was nothing "Lady"- like about Gaga in drag as she took multiple drags from a cigarette.

Go backstage with Kanye West, Britney Spears and more at the VMAs.

After a monologue, Gaga in drag jumped onto a piano bench and started to belt out "Yoü and I." As the beat kicked in, she joined a group of male dancers who were all wearing the same outfit as her. When she introduced legendary Queen guitarist Brian May for the song's solo, the camera cut to a visibly enthusiastic Dave Grohl clapping wildly from his seat in the audience. Gaga cracked open a beer, climbed on top of her piano and sprayed the front row with the alcohol. Britney's mouth was agape during the performance, and Katie Holmes was smiling. Lady Gaga kissed May's cheek before she exited the stage.

The first Moonman of the night was presented by Nicki Minaj and Jonah Hill, who made hay with his very obvious weight loss and poked fun at fans on Twitter who've speculated his new physique might make him less funny. Minaj practically screamed "Britney Spears!" who collected the award for Best Pop Video. "I wasn't expecting this," Spears said. She thanked God, her kids, her management, her beau Jason Trawick ("I love you!") and "Till the World Ends" director Ray Kay.

Relive Beyoncé's big night at the VMAs in photos!

Pyrotechnics introduced surprise performers Jay-Z and Kanye West to the stage as the pair lit their microphones ablaze, trading verses from their landmark collaboration album, Watch the Throne. Jigga wore a much cleaner white T-shirt than Gaga while West was dressed in skintight denim and a matching button-up shirt, with an American-flag bandana in his pocket that matched their backdrop.

Rap gave way to rock as Shawn White joined Miley Cyrus to present the Best Rock Video award to the Foo Fighters. Cyrus professed her love for Nirvana, Joan Jett and Aerosmith just before Grohl told the crowd to "Never lose faith in real rock and roll music. Never lose faith in that. You might have to look a little harder, but it's always going to be there."

Pioneering punk rockers-turned-rappers-turned-multi-instrumentalists brought it all together afterward, albeit in a very different form. The "Beastie Boys from the future," as seen in the recent short film "Fight for Your Right Revisited," dance-battled Odd Future. Will Ferrell (as Mike D), Jack Black (MCA) and Seth Rogen (Ad-Rock) presented the Best Hip-Hop Video Award for "Super Bass" to Nicki Minaj, who called Lil Wayne "the best rapper alive" in her acceptance speech.

Demi Lovato helped give the Best Collaboration award to Katy Perry and Kanye West for "E.T." "Now this is the time where you want to interrupt me, Kanye," Perry joked. West called her "brave" for inviting him on the track despite the controversy that surrounded his famous VMA interruption in 2009.

Paul Rudd and Rick Ross joked about being confused for one another by the public before they introduced a crowd-rousing performance from Pitbull and Ne-Yo, who were joined by a group of burlesque-type dancers and green laser lights to rival any planetarium.

There were no pyrotechnics, laser lights, fog machines, backup dancers or anything else of the sort for the breathtaking performance from Adele, who Katy Perry introduced as "one of my favorite artists." There were no theatrics, save for the acclaimed British singer's powerful voice.

A commercial break separated the mournful pathos of Adele's intimate tune from the stupefied sexual innuendo of Beavis and Butt-Head, who teased their triumphant return to the airwaves due in late October. Nicki Minaj slapped Beavis and Butt-head's skulls together in a segment that mixed live action and animation reminiscent of when David Letterman fought the pair over a burrito at the VMAs back in 1994.

Kim Kardashian restrained herself from flirting with Justin Bieber when she handed him the Moonman for Best Male Video. His screaming fans enacted the "U Smile" title as he climbed the steps to accept. "I just want to say thank you so much not only to God but to Jesus because I wouldn't be here without him. He's really blessed me. He's put me in this position so I want to say thank you so much," he said.

Justin Bieber and Selena Gomez had a romantic night at the VMAs.

Chris Brown did some sharing of his own as he offered props to Wu-Tang Clan (with faux martial-arts dancing) and Nirvana (complete with flannel-shirted dancers jumping on trampolines) in the form of brief tributes during his performance of "Beautiful People." Clad in an all-white suit, Brown was backed by several dancers, lip-synching into a headset mic and flying into the air on wires.

Still in drag as her alter ego, Gaga returned to the stage to present Spears with the Vanguard Award. "When you're a struggling artist, literally starving for your dream, you gotta live off inspiration," she began. "One of my biggest inspirations was Britney Spears. Britney taught me how to be fearless."

Britney Spears calls her VMA tribute "an honor."

Kanye grabbed Jay-Z by the shoulders enthusiastically after Beyoncé's performance, when she unbuttoned her sparkly blazer to reveal a baby bump. Earlier in the night, before the show, Beyoncé beat out both Britney and Gaga in the choreography category thanks to her "Run the World (Girls)" video.

Beyoncé and Jay-Z celebrate their big news backstage.

Standing beside Taylor Lautner, Selena Gomez pointed out that the Best New Artist Award had previously been won by folks like Eminem, Alicia Keys, Bieber and, of course, Nirvana. Winner Tyler, the Creator was joined by his crew as he rushed the stage and began an expletive filled acceptance speech. "Yo, I'm excited as f--- right now. I wanted this sh-- since I was 9," he said. "I'm about to cry."

Young the Giant were also joined by friends on the VMA stage -- 250 of them, to be exact. The Irvine, California, group, which counts legendary singer Morrissey among their fans, played directly to some lucky supporters and were introduced by musician/actor Jared Leto and "Avatar" star Zoe Saldana.

Microphone problems didn't stop Cloris Leachman from trading blue humor with the girls of "Jersey Shore" before they presented the award for Best Female Video to Lady Gaga. "It doesn't matter who you are -- gay, straight, bi, lesbian, transgendered," Gaga, still in drag, declared. "You were born this way."

Russell Brand pointed out that Gaga is among those influenced by Winehouse. "Adele would admit her debt to Amy Winehouse," he said, as the camera cut to the singer nodding her agreement. "[Katy Perry], Florence and the Machine. ... When a talent like Amy Winehouse comes along, it affects everybody."

MTV's exclusive first look at the upcoming adaptation of "The Hunger Games" preceded the award for Video of the Year, which was presented by Katie Holmes.

After smooching her husband (and former VMA host) Brand, Katy Perry went out of her way to walk over to Adele before she made it to the stage to accept the award for "Firework." "I'm very proud of the song and what it stands for. And I feel like I'm doing something right when I sing that song," she said, echoing a familiar sentiment espoused earlier by Gaga about meaning in music.

Lil Wayne closed the festivities in a white T-shirt (a very popular clothing item this year, apparently) and sunglasses after a spirited introduction by Drake. His pants looked to be of black and white leopard print, topped off with a black fedora and ketchup and mustard colored Vans sneakers. He began "How to Love" like a sensitive crooner, talking with the crowd and casually walking to a microphone stand at first.

Naturally, his shirt came off and a band emerged to the riff from Black Sabbath's "Iron Man" as Wayne jumped around screaming "yeah!" and smiling wide. Wayne made his way into the crowd where he chest bumped Rick Ross and other friends. Wayne didn't even attempt to censor any of his lyrics, eventually making his way to a guitar which he threw on the stage after strumming briefly.

The 28th annual MTV Video Music Awards have wrapped, but the real action is just getting started! Stick with MTV News for winners, fashion pics, video and behind-the-scenes stories about everything that went down. Visit VMA.MTV.com for the latest.

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'Transformers: Dark Of The Moon' Returns To IMAX

Michael Bay's robot flick will hit theaters again on Friday and run for two weeks.
By Terri Schwartz


Bumblebee in "Transformers: Dark of the Moon"
Photo: Paramount

The moon will go dark again as Paramount gears up to re-release "Transformers: Dark of the Moon" in IMAX this Friday.

The third "Transformers" flick is currently the second-highest-grossing film of the year in the U.S., coming in second to "Harry Potter and the Deathly Hallows, Part 2" with $348.5 million. "Dark of the Moon" will get a second life in 246 IMAX theaters in North America beginning on Friday, according to The Hollywood Reporter, and will run in IMAX through September 8.

In most cases, that means the Michael Bay flick will screen alongside already running movies like "Deathly Hallows, Part 2," "Cowboys & Aliens" and "Final Destination 5," given that Steven Soderbergh's soon-to-open "Contagion" doesn't hit IMAX until September 9.

Last year, "Avatar" made a similar move at the end of the summer, attempting to recapture moviegoers' interest before the end of the blockbuster movie season. The major difference between re-releases for "Avatar" and "Dark of the Moon" is that James Cameron stuffed "Avatar" with nine more minutes of previously unreleased footage to entice moviegoers.

While "Dark of the Moon" doesn't have new footage, the newest releases haven't been big draws at the box office and that may make it a good time to try to nab any stragglers who still want to see giant robots blow things up.

Christopher Nolan's Batman flick also benefited from this strategy. After its initial July 2008 opening, Warner Bros. gave "The Dark Knight" a February 2009 IMAX re-release. And even though the studio bypassed the summer movie season for the second release, the stunt still worked. There was plenty of residual interest in the flick following its Academy Awards success, and the second run helped push "Dark Knight" onto the list of the highest-grossing films of all time.

It will be interesting to see if this becomes a trend in summers to come, with blockbuster films like "Prometheus," "Men in Black III," "The Amazing Spider-Man" and "The Dark Knight Rises" all set to hit theaters in 2012.

Check out everything we've got on "Transformers: Dark of the Moon."

For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com.

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Britney Spears Accepts Video Vanguard VMA - And A Kiss From Lady Gaga

Gaga's Jo Calderone alter ego introduced a dance tribute to Brit's best videos.
By John Mitchell


Britney Spears and Lady Gaga on stage at the 2011 VMAs
Photo: MTV

It's only fitting for one princess of pop to fete another. And that's what happened when Lady Gaga stepped out onstage at the MTV Video Music Awards to pay tribute to Britney Spears with the Michael Jackson Video Vanguard Award. Well, kind of.

Gaga took the stage to honor Spears still in character as her male alter ego Jo Calderone, which she'd taken on for her show-opening performance earlier in the night. And that made things pretty interesting. Calderone opened by calling Spears an inspiration, saying, "She taught us all how to be fearless, and the industry wouldn't be the same without her."

Calderone then went on to get a little personal about Spears. He told the audience he used to put up posters of the pop star on his bedroom wall and be inspired in non-musical ways. It was a weird moment, but Calderone is a young guy of the right generation — a generation that would indeed have posters of Britney Spears on his/her wall.

There's a reason, after all, she was being awarded the Vanguard Award. The tribute then turned into exactly what any great tribute to this particular diva should be: a dance party. Spears is known as one of the biggest dance pop artists of her generation, and accordingly, dancers wearing Britney's most famous video looks took the stage to get down to her biggest hits, from "Baby One More Time" and "Crazy" to "Toxic" and "Do Somethin'."

By the time the sequence dissolved into a full-stage dance-off to Spears' recent smash "Till The World Ends," children also wearing Spears' myriad costumes popped up onstage alongside their grown-up dancing counterparts. It was a fitting way to show the impact Spears' music has had. From kids to adults, everyone knows and loves Britney. As the performance ended, Gaga-as-Calderone again grabbed the spotlight to introduce the pop star and did so with the kind of bravado that carried him through his monologue earlier in the show. "Everybody, stand the f--- up," Calderone demanded.

Looking better than ever and glowing from all the praise, Spears then took the stage.

Calderone certainly liked what he saw, eyeing the singer before stepping forward for a semi-awkward stare-down. But Gaga, er, Calderone eventually got what he wanted: a quick kiss from the one and only Britney Spears. He wanted more, however, but alas, it just wasn't going to happen. Being a classy guy, Calderone brushed off Britney's dismissal of his advances with a cool, "I don't want Gaga to get pissed."

Spears seemed thankful for the prize but used her time to shine the spotlight on another artist: Beyoncé. Spears introduced Queen B's unstoppable performance of the amazing 4 track "Love on Top" — at the end of which Beyoncé revealed her pregnant belly.

The 28th annual MTV Video Music Awards have wrapped, but the real action is just getting started! Stick with MTV News for winners, fashion pics, video and behind-the-scenes stories about everything that went down. Visit VMA.MTV.com for the latest.

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Source: http://www.mtv.com/news/articles/1669862/britney-spears-lady-gaga-kiss-vmas.jhtml

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Wednesday, 31 August 2011

Photos | 2011 Billboard Music Awards

2011 Billboard Music Awards

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Beyonce Reveals Pregnancy On VMA Stage

After her performance, B reveals she and Jay-Z are expecting.
By Kelley L. Carter


Beyoncé on the 2011 VMA black carpet
Photo: Jason Merritt/Getty Images

After performing at the 2011 VMAs, Beyoncé Knowles unbuttoned her sparkly jacket and rubbed her belly -- announcing her pregnancy to the world. The camera then cut to Jay-Z and Kanye West in the audience and their over-the-top jubilant reaction.

Married to Jay for three years, the star has said time and time again that she planned on having a baby by the time she was 30; well, B turns 30 early next month.

The power couple tied the knot back in 2008 in a private ceremony at Jay-Z's New York apartment, and since then, there have been years of pregnancy rumors that they've shot down.

In June, the singer told CNN interviewer Piers Morgan that she wanted to get pregnant.

Click for photos of Beyoncé's big VMA night.

"I feel like a woman. I feel like I'm very aware of who I am. I feel great and I feel like 30 is the ideal age [to start a family], because you're mature enough to know who you are and to have your boundaries and your standards, and not be afraid, too polite -- but you're young enough to be a young woman," she said. "I'm so looking forward to it."

The singer added, "I always said I'd have a baby at 30. But I also said I'm going to retire at 30. ... Only God knows."

In that same interview, Beyoncé talked about her husband.

"Jay and I have kind of made a decision that we want to be known for our music and not our relationships or scandals. But he is amazing," she said. "I definitely had a very natural friendship and connection with him. We've been together for a very long time and I'm very happy. Love is the foundation of everything, everything I do. My music is inspired by love -- from my family, my husband, my sister."

No word on when the baby is due.

Post Your Well Wishes For Jay and Bey on Facebook.

The 28th annual MTV Video Music Awards are live now! Stick with MTV News for winners, photos, video and behind-the-scenes stories about everything going down. Visit VMA.MTV.com for the latest.

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Blink-182, Death Cab For Cutie Remember 1991: When Rock Rocked

With Nevermind anniversary weeks away, music's biggest bands reflect on the other indispensible albums from a great year for rock.
By James Montgomery


My Bloody Valentine's <i>Loveless</i>
Photo: Sire

On September 24, Nirvana's epochal Nevermind album turns 20, a milestone that will be marked with much coverage, celebration and consternation in the media ... not to mention a sundry of other events, including a high-profile benefit concert at Seattle's Experience Music Project and a Jon Stewart-hosted Q&A with Nirvana's surviving members.

And understandably so. After all, Nevermind was a game-changer in every sense of the term — the kind of album that brought about seismic shifts in music, fashion and culture in general, one that defined a generation and, as such, deserves to be mythologized. And, in the coming weeks, we suspect you'll see no shortage of stories that do just that.

And while Nevermind casts an indelibly lengthy shadow, it bears mention that there was no shortage of other magical, massive and equally mythological albums that hit stores in 1991 ... ones that, had Nirvana never broken through, would probably be getting the royal treatment right now. In 1991, rock truly rocked, so, in celebration of that fact, we've asked some of today's biggest bands to discuss their favorite albums from that rather amazing year.

Don't worry, we'll give Nevermind its due ... but right now, we're paying tribute to 1991's other indispensible albums, in the words of their biggest fans.

Dinosaur Jr., Green Mind
Sludgy, somnambulant fourth album from Amherst, Massachusetts' premier purveyors of bad-posture rock, Green Mind represents Dino Jr. at a great divide: Not only is it their first album without original member Lou Barlow, it's also their first for major label Sire Records. Still, neither of those factors managed to sap its power, as mastermind J Mascis shouldered the load (it's basically a solo album) on tracks like the squalling "The Wagon" and the roiling "Puke & Cry." Of course, the band would later reconcile, but Green Mind still stands as a high-water mark, one that, from its iconic cover image to its shambolic moments of pure grandiosity, still stands the test of time.

As remembered by Mark Hoppus, Blink-182: "I got it when it came out and I just loved it, from the second that I listened to it. And I remember going to watch them at the Hollywood Palladium, and I think, actually, Nirvana opened that show maybe, or maybe not. [Editor's note: Nirvana did, in fact, open for Dino Jr. at the Palladium in June 1991.] But they played the Palladium, and it was the loudest show that I'd ever been to and my ears rang for three days afterwards and I was deathly afraid that I'd permanently ruined my hearing, which I probably did, but it was well worth it."

My Bloody Valentine, Loveless
The rare album that can be summarized entirely by its cover, MBV's Loveless is 48-odd minutes of guitars slowly corroding, collapsing and combusting into a gloriously woozy, decidedly pink hue. Then again, you should probably listen to it, if only to marvel at the sheer size of the thing: an epic sonic collage that echoes for days, full of ringing, winging chords, ruddy drum loops and ethereal, barely there vocals. It sounded like nothing else at the time and, really, that's still true today. Recorded in 19 different studios over the course of two years, it brought the band and its label, Creation, to the brink and was so huge an endeavor (in every regard) that, 20 years later, MBV have yet to record the follow-up. But that hasn't stopped an entire generation of musicians from taking cues from Kevin Shields' masterful din, most notably, the rather tricky art of learning how not to play guitar.

As remembered by Brian Oblivion, Cults: "In the same vein as Nevermind, Loveless is another game-changing album. There's that clichéd saying about the Velvet Underground, that they didn't have many fans, but all their fans started bands, and that's definitely the same thing with My Bloody Valentine. Like, every single one of my friends who heard that record immediately went out and bought a delay pedal and ... I'm not very good at guitar at this point in my life, and that's mostly because of My Bloody Valentine, because I'd just sit around in my basement and just make noise with loops and pedals and never learned how to actually play, like, 'Kevin Shields can't play, he's an artist.' To me, that album is all about texture, it's not about notes or melody or lyrics even ... the sound of a guitar became the sound of a cello, the sound of an orchestra, anything, and it kind of opened up the possibilities for everybody to do different kinds of music."

Slint, Spiderland
How is it possible that four kids from Louisville, Kentucky, could sound so preternaturally old? That's just one of the questions raised after listening to Spiderland, the second (and last) album from Slint, a band whose legacy far outweighs their actual output. A creaking, claustrophobic collection of songs that practically seethe tension (which sort of lends credence to the rumors that, following its recording, at least one member underwent psychiatric treatment), Spiderland crashes and coils in ways few other albums do: in a downright terrifying manner. Just give "Good Morning, Captain" a spin and try to say otherwise. And they looked like such nice young men on the cover.

As remembered by Ben Gibbard and Chris Walla, Death Cab for Cutie
Gibbard: "Kids, when they kind of get into music that they think is big and powerful and scary and loud, they gravitate towards hardcore, they gravitate towards punk rock, [because] to that point, that was the biggest, scariest, most aggressive kind of sounding thing that I had heard. But when I first heard Spiderland, it was the juxtaposition between the quiet and the loud that made it even a more powerful listening experience than listening to a hardcore band, because it was so quiet and it was so loud, and kind of feeling the dynamics between the loud and the quiet ... the scope between those things was really powerful."

Walla: "Spiderland is in a handful of records from the early '90s that are sort of recording-geek go-to's. And that was a record, for me, that was really a testament of how you can put together and structure a rock and roll recording in a way that didn't sound like Stone Temple Pilots. Rock and roll had gotten pretty big and pretty produced by that point and, for me, there were a handful of records that kids like me, who had a couple of microphones and an 8-track, sort of felt like, 'Oh, maybe I can do this and I should do this.' "

Share your favorite memories of our other seminal 1991 albums in the comments below!

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