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Wednesday, 31 August 2011
Beyonce Reveals Pregnancy On VMA Stage
After her performance, B reveals she and Jay-Z are expecting.
By Kelley L. Carter
Beyoncé on the 2011 VMA black carpet
Photo: Jason Merritt/Getty Images
After performing at the 2011 VMAs, Beyoncé Knowles unbuttoned her sparkly jacket and rubbed her belly -- announcing her pregnancy to the world. The camera then cut to Jay-Z and Kanye West in the audience and their over-the-top jubilant reaction.
Married to Jay for three years, the star has said time and time again that she planned on having a baby by the time she was 30; well, B turns 30 early next month.
The power couple tied the knot back in 2008 in a private ceremony at Jay-Z's New York apartment, and since then, there have been years of pregnancy rumors that they've shot down.
In June, the singer told CNN interviewer Piers Morgan that she wanted to get pregnant.
Click for photos of Beyoncé's big VMA night.
"I feel like a woman. I feel like I'm very aware of who I am. I feel great and I feel like 30 is the ideal age [to start a family], because you're mature enough to know who you are and to have your boundaries and your standards, and not be afraid, too polite -- but you're young enough to be a young woman," she said. "I'm so looking forward to it."
The singer added, "I always said I'd have a baby at 30. But I also said I'm going to retire at 30. ... Only God knows."
In that same interview, Beyoncé talked about her husband.
"Jay and I have kind of made a decision that we want to be known for our music and not our relationships or scandals. But he is amazing," she said. "I definitely had a very natural friendship and connection with him. We've been together for a very long time and I'm very happy. Love is the foundation of everything, everything I do. My music is inspired by love -- from my family, my husband, my sister."
No word on when the baby is due.
Post Your Well Wishes For Jay and Bey on Facebook.
The 28th annual MTV Video Music Awards are live now! Stick with MTV News for winners, photos, video and behind-the-scenes stories about everything going down. Visit VMA.MTV.com for the latest.
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Michael Jackson - They Don't Care About Us
- Artist: Michael Jackson
- Label: MJJ
- Director: Spike Lee
- Album: HIStory: Past, Present and Future, Book I
Source: http://www.mtv.com/overdrive/?artist=1102&vid=208348
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Blink-182, Death Cab For Cutie Remember 1991: When Rock Rocked
With Nevermind anniversary weeks away, music's biggest bands reflect on the other indispensible albums from a great year for rock.
By James Montgomery
My Bloody Valentine's <i>Loveless</i>
Photo: Sire
On September 24, Nirvana's epochal Nevermind album turns 20, a milestone that will be marked with much coverage, celebration and consternation in the media ... not to mention a sundry of other events, including a high-profile benefit concert at Seattle's Experience Music Project and a Jon Stewart-hosted Q&A with Nirvana's surviving members.
And understandably so. After all, Nevermind was a game-changer in every sense of the term — the kind of album that brought about seismic shifts in music, fashion and culture in general, one that defined a generation and, as such, deserves to be mythologized. And, in the coming weeks, we suspect you'll see no shortage of stories that do just that.
And while Nevermind casts an indelibly lengthy shadow, it bears mention that there was no shortage of other magical, massive and equally mythological albums that hit stores in 1991 ... ones that, had Nirvana never broken through, would probably be getting the royal treatment right now. In 1991, rock truly rocked, so, in celebration of that fact, we've asked some of today's biggest bands to discuss their favorite albums from that rather amazing year.
Don't worry, we'll give Nevermind its due ... but right now, we're paying tribute to 1991's other indispensible albums, in the words of their biggest fans.
Dinosaur Jr., Green Mind
Sludgy, somnambulant fourth album from Amherst, Massachusetts' premier purveyors of bad-posture rock, Green Mind represents Dino Jr. at a great divide: Not only is it their first album without original member Lou Barlow, it's also their first for major label Sire Records. Still, neither of those factors managed to sap its power, as mastermind J Mascis shouldered the load (it's basically a solo album) on tracks like the squalling "The Wagon" and the roiling "Puke & Cry." Of course, the band would later reconcile, but Green Mind still stands as a high-water mark, one that, from its iconic cover image to its shambolic moments of pure grandiosity, still stands the test of time.
As remembered by Mark Hoppus, Blink-182: "I got it when it came out and I just loved it, from the second that I listened to it. And I remember going to watch them at the Hollywood Palladium, and I think, actually, Nirvana opened that show maybe, or maybe not. [Editor's note: Nirvana did, in fact, open for Dino Jr. at the Palladium in June 1991.] But they played the Palladium, and it was the loudest show that I'd ever been to and my ears rang for three days afterwards and I was deathly afraid that I'd permanently ruined my hearing, which I probably did, but it was well worth it."
My Bloody Valentine, Loveless
The rare album that can be summarized entirely by its cover, MBV's Loveless is 48-odd minutes of guitars slowly corroding, collapsing and combusting into a gloriously woozy, decidedly pink hue. Then again, you should probably listen to it, if only to marvel at the sheer size of the thing: an epic sonic collage that echoes for days, full of ringing, winging chords, ruddy drum loops and ethereal, barely there vocals. It sounded like nothing else at the time and, really, that's still true today. Recorded in 19 different studios over the course of two years, it brought the band and its label, Creation, to the brink and was so huge an endeavor (in every regard) that, 20 years later, MBV have yet to record the follow-up. But that hasn't stopped an entire generation of musicians from taking cues from Kevin Shields' masterful din, most notably, the rather tricky art of learning how not to play guitar.
As remembered by Brian Oblivion, Cults: "In the same vein as Nevermind, Loveless is another game-changing album. There's that clichéd saying about the Velvet Underground, that they didn't have many fans, but all their fans started bands, and that's definitely the same thing with My Bloody Valentine. Like, every single one of my friends who heard that record immediately went out and bought a delay pedal and ... I'm not very good at guitar at this point in my life, and that's mostly because of My Bloody Valentine, because I'd just sit around in my basement and just make noise with loops and pedals and never learned how to actually play, like, 'Kevin Shields can't play, he's an artist.' To me, that album is all about texture, it's not about notes or melody or lyrics even ... the sound of a guitar became the sound of a cello, the sound of an orchestra, anything, and it kind of opened up the possibilities for everybody to do different kinds of music."
Slint, Spiderland
How is it possible that four kids from Louisville, Kentucky, could sound so preternaturally old? That's just one of the questions raised after listening to Spiderland, the second (and last) album from Slint, a band whose legacy far outweighs their actual output. A creaking, claustrophobic collection of songs that practically seethe tension (which sort of lends credence to the rumors that, following its recording, at least one member underwent psychiatric treatment), Spiderland crashes and coils in ways few other albums do: in a downright terrifying manner. Just give "Good Morning, Captain" a spin and try to say otherwise. And they looked like such nice young men on the cover.
As remembered by Ben Gibbard and Chris Walla, Death Cab for Cutie
Gibbard: "Kids, when they kind of get into music that they think is big and powerful and scary and loud, they gravitate towards hardcore, they gravitate towards punk rock, [because] to that point, that was the biggest, scariest, most aggressive kind of sounding thing that I had heard. But when I first heard Spiderland, it was the juxtaposition between the quiet and the loud that made it even a more powerful listening experience than listening to a hardcore band, because it was so quiet and it was so loud, and kind of feeling the dynamics between the loud and the quiet ... the scope between those things was really powerful."
Walla: "Spiderland is in a handful of records from the early '90s that are sort of recording-geek go-to's. And that was a record, for me, that was really a testament of how you can put together and structure a rock and roll recording in a way that didn't sound like Stone Temple Pilots. Rock and roll had gotten pretty big and pretty produced by that point and, for me, there were a handful of records that kids like me, who had a couple of microphones and an 8-track, sort of felt like, 'Oh, maybe I can do this and I should do this.' "
Share your favorite memories of our other seminal 1991 albums in the comments below!
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Tuesday, 30 August 2011
Dave Grohl, Josh Homme, John Paul Jones Unveil Supergroup
Them Crooked Vultures make their debut with a post-Lollapalooza set.
By James Montgomery
Dave Grohl (file)
Photo: Jewel Samad/AFP/Getty Images
Officially, Lollapalooza ended Sunday night in Chicago's Grant Park, with dueling sets from the Killers and Jane's Addiction. Unofficially, it ended very early Monday morning, across town at venerable rock club the Metro, with a surprise show by Them Crooked Vultures.
To the unfamiliar, the Vultures might seem like an odd choice to close out Lolla weekend ... until you realize that they're made up of Foo Fighters frontman/ former Nirvana drummer Dave Grohl, Queens of the Stone Age mastermind Josh Homme and Led Zeppelin legend John Paul Jones. And their gig at the Metro was their world premiere.
According to some reports, the Vultures actually turned down Lollapalooza founder Perry Farrell's request to replace the Beastie Boys as headliners at the festival, opting to debut in front of some 1,100 super-psyched fans at the Metro, rather than 75,000 in Grant Park (tickets for the gig were announced via Foo Fighter/ QOTSA fan clubs). Meaning that, in a lot of ways, this was the most sought-after ticket in town.
Taking the stage just after midnight, the Vultures — Grohl on drums (of course), Homme on guitar and vocals, Jones on bass and keys and frequent QOTSA contributor Alain Johannes on guitar — ripped through 12 songs in 80 minutes, all taken from their upcoming debut, which may or may not be called Never Deserved the Future, and may or may not be hitting stores on October 23 (early "promo" videos touting both those facts were revealed over the weekend to be hoaxes perpetrated by QOTSA fans).
The songs, with appropriately Homme-ian titles like "Scumbag Blues," "Mind Eraser (No Chaser)," "Caligulove" and "Interlude w/Ludes," sounded pretty much how you'd expect, given the band's pedigree. They rocked, hard — Chicago Tribune critic Greg Kot described them as "fresh, invigorating and just plain nasty" — delving off into psychedelic, reverb-filled excursions and exploring proggy territory, "both of the old-school Yes variety, and the more modern Tool flavor," according to the Chicago Sun-Times' Jim DeRogatis.
It's not known if Monday's Metro performance was a one-off event for the Vultures — there have been whispers of a full-blown tour, but a spokesperson for Homme had not responded to MTV News' request for comment at press time. Nor was it clear whether or not they'll have an album out in October.
Early Monday, a Crooked Vultures Twitter account, which had previously posted links to the band's official-looking Web site and the Metro's online ticketing site — posted a link to what appears to be the group's first bit of official merchandise: a Deserve the Future T-shirt. Cost: $30.
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Ke$ha Is Channeling 'Sexiness' Of '70s Rock For New Album
Glitter-heavy pop star tells MTV News she's going for 'balls-out, irreverent rock and roll.'
By James Montgomery, with reporting by Matt Elias
Ke$ha
Photo: MTV News
Ke$ha's already got the face paint down pat, and, during recent live sets, she's even taken to guzzling blood out of a human heart, so it should come as no surprise that, on her upcoming album, the pop star is taking things back to the most theatrical era of rock: the prop-heavy, arena-spanning heyday of the 1970s.
Ke$h revealed her plans over the weekend in Los Angeles, on the red carpet of KIIS FM's annual Wango Tango concert, where she told MTV News that the follow-up to her breakout Animal album (and, we suppose, Cannibal too) would be heavy on hard riffs and light on pretty much everything else.
"The next album ... I've been working on writing on the road, but as far as a sound, I just know it's gonna be balls-out, irreverent rock and roll," she said. "I've been pretty much in this '70s rock and roll kick and I just want to capture some of the true essence of what rock and roll is, and that's just irreverence and sexiness and fun and not giving a f---, so we'll definitely put a bit of rock and roll in it."
So, does that mean that fans can expect the likes of Alice Cooper or Peter Frampton to show up on her new album? Perhaps. Because while Ke$ha's new album is still a ways off, she's already begun calling in favors, hoping to line up a killer collabo for the new disc.
"I'm trying, trust me," she laughed. "I really would love to connect with one of my idols, I mean, that's my dream. I'm working on it."
What do you think of Ke$ha going rock for her next album? Tell us in the comments!
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Sebastian Bach's Home Flooded By Hurricane Irene
Death toll from weekend's storm rises to 40, as flooding continues in some East Coast states.
By Gil Kaufman
Sebastian Bach's New Jersey home after Hurricane Irene
Photo: FilmMagic
With the death toll from Hurricane Irene rising to 40, five million homes in the dark as of Monday and towns up and down the East Coast still struggling to hold back floodwaters, the cleanup from the storm is expected to take weeks, if not months.
One of the people who will have to put the pieces back together is Skid Row singer Sebastian Bach, whose New Jersey home was destroyed by flooding from the hurricane. The 43-year-old hair-metal vocalist lamented the loss in a lengthy Facebook post, in which he said that not only was the dwelling destroyed, but also that the storm had taken away some one-of-a-kind rock artifacts.
"I am numb, in shock, & devastated to report that my home of 21 years, my house featured on 'MTV Cribs,' has been destroyed, condemned, & deemed uninhabitable due to the extreme flooding courtesy of Hurricane Irene," Bach wrote. "In the 2 decades I have lived in this home, there has never been a single drop of water in the basement or anywhere else in the structure. Now Irene has overflowed the reservoir adjacent to my house. The surging waters have snapped the bridge in half next to my house & sent the bridge straight into my garage, knocking the house off of its foundation."
Bach said he was told he could not pump the water out due to fears of electrocution. Among the "irreplaceable" items lost: KISS Gargoyles from the 1979 tour, a KISS pinball machine, Skid Row master tapes, master tapes from Oh Say Can You Scream and "boxes & boxes" of original Skid Row memorabilia, from the band's first tour to their most recent, which Bach said no one else had.
"I had a library in the basement with every single magazine that had Skid Row on the cover," he lamented. "This library took up a big part of the basement. All of this is lost now. We will salvage what we can of course. But how I wish there was a reason to do a box set or something before Hurricane Irene hit. Nobody cared. Now it's too late. Don't know what you got till it's gone, indeed."
Some of his other treasures, such as his father's artwork — including a 16-foot-tall mural from the band's Slave to the Grind album — were safe after being moved upstairs, but Bach said he hasn't been allowed back in the house yet to assess the damage because the foundation had "crumbled" and the structure could collapse at any time.
"This has really taught me that the best things in life are indeed 'free,' " he concluded. "What makes me happy is that my children & ex wife are safe. My dad's art is unharmed. No one got hurt. My scrapbooks of memories of my life are dry & safe."
And, after 25 years of calling New Jersey home, Bach said he's packing it in and permanently moving West. "I will always love New Jersey, but now there is literally nothing left for me here except memories of a past life," he said. "Hello, Los Angeles. Hello, New Life. Here I am. It's time for a new start. Like I have a choice."
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'Fright Night': The Reviews Are In!
Colin Farrell flick 'blends Eighties cheese with Nineties snark — a combination that works better than it sounds,' critics say.
By Kara Warner
Colin Farrell in "Fright Night"
Photo: DreamWorks
If you've seen the "Fright Night" trailers or are familiar with the '85 cult classic, you know this is not your run-of-the-mill vampire movie — at least by today's "Twilight" standards, anyway. There are no swoony undead to be found in this horror-comedy — just a lot of blood and plenty of laughs.
Here at MTV News, we've been amped about the film from the get-go, and even featured it as part of our exclusive Sneak Peek Week leading up to the Movie Awards. The film stars Colin Farrell as a bloodthirsty vampire who heads to suburbia and terrorizes his next-door neighbor Charley, played by "Star Trek" veteran Anton Yelchin. Christopher Mintz-Plasse plays vampire convert "Evil" Ed Thompson, "Harry Potter" alum and former "Doctor Who" David Tennant is vamp-hunting showman Peter Vincent and "Solitary Man" breakout Imogen Poots portrays love interest Amy, with Toni Collette and Dave Franco also popping up.
Now that the well-received reboot is finally in theaters, it's time to see what the critics think. Grab your garlic and hold onto some holy water as we sift through the "Fright Night" reviews.
The Original Story Vs. The Reboot "You'll need a taste for nostalgia to really appreciate 'Fright Night,' which knowingly blends Eighties cheese with Nineties snark — a combination that works better than it sounds. Authenticity is the key to the movie's success: the remake is actually based on a 1985 horror flick, and was written by Marti Noxon, well-known for her work on 'Buffy the Vampire Slayer.' One thing's for sure: if you're expecting the self-serious brooding of 'Twilight,' you're gonna be disappointed. But if you have a soft spot for cult horror comedies like 'The Lost Boys,' 'The Monster Squad,' or even the first 'Fright Night,' this ought to be right up your (dark) alley. Noxon and director Craig Gillespie update the attitude for a post-'Buffy' generation, but their remake is generally faithful to the original." — Elizabeth Weitzman, New York Daily News
The Performances "Former 'Doctor Who' star David Tennant has a plum role as a Criss Angel-like Vegas cheeseball whose vampire-themed stage show might hide a special connection to vampire lore. It's a big, fun performance overshadowed only by Farrell, who plays his character as a monster who's learned to use an ordinary-dude exterior to blend in with his new surroundings. When he asks Yelchin for a 'sixer,' Farrell delivers his lines with a Matt Dillon-like flatness, but his eyes tell another story: Beneath the surface, he's all coiled hunger and pitiless manipulation, doing what he has to do to get close to victims who, against their better judgment, want to get close to him. He creates almost unbearable tension by doing virtually nothing at all, and though 'Fright Night' eventually reveals him as the vampire equivalent of the f---ing shark from 'Jaws,' it's never better than when it lets him poke his fin just above the surface." — Keith Phipps, the Onion A.V. Club
The Final Word "As in the earlier film, this one dances always at the edge of comedy. It especially has fun with the Rules of Vampire Behavior, which Jerry even teases Charley about. Without spoiling a single thing, I can tell you that one of the inevitable stakes through the heart in this movie is an inspired use of product placement. As vampire movies go, 'Fright Night' is a pretty good one." — Roger Ebert, Chicago Sun-Times
Check out everything we've got on "Fright Night."
For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com.
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Red Hot Chili Peppers 'A New Band' On I'm With You
First album in five years, out Monday (August 29), is 'us, with a whole new thing,' Anthony Kiedis tells MTV News.
By James Montgomery
Red Hot Chili Peppers
Photo: MTV News
Anthony Kiedis makes no bones about the fact that the Red Hot Chili Peppers are "a new band," despite all evidence to the contrary. After all, not many "new" bands have sold more than 65 million albums worldwide, won a grip of Grammy awards, survived a series of rather-seismic lineup shifts or made some of the most-iconic music videos of all time. And even fewer have actually been a band since 1983.
And yet, here is Kiedis, talking about the Chili Peppers' 10th studio album, I'm With You, in stores Monday (August 29), and how its recording signifies not only a new era — it's the first with new guitarist Josh Klinghoffer, who replaced longtime member John Frusciante in 2009 — but a new band, too.
As Kieids explained to MTV News, it has "a lot to do with" Klinghoffer. "He's definitely a big part of why it's different: different person, different chemistry, different experience, different era ... we're a new band, and thank goodness.
"It seemed to be, whether we liked it or not, time for change to take place. So, an opportunity was created, one that instantly seemed to be a wonderful occasion. It's so exciting when you get thrown a curveball by the universe, and you turn that curveball into a home run. And I feel like that's what happened ... Curveballs used to break my heart and freak me out, but now, I know from experience that they usually lead to something cool."
And on I'm With You, not only do the Peppers begin a new chapter, but they push their signature sound further than they've ever pushed before. Sure, Flea's propulsive bass lines still form the backbone, but the new songs are amplified and expounded upon by his time spent studying music theory at USC.
In a new twist, most of the tunes began as piano compositions and slowly blossomed in the recording studio, with Klinghoffer adding slow-diving guitar flourishes (and the occasional keyboard, too). There are percussive tones added by Brazilian musicians and organ peals from former Beastie Boys associates.
As Kiedis put it, "It's more ethereally complex and layered and kind of spooky and moody and dreamy, yet still profound. ... The spirit of the Red Hot Chili Peppers remains and changes and moves on. It's us, with a whole new thing."
Of course, that "new thing" couldn't have been created without putting the old thing to bed — which means that, for the first time in their careers, the Chili Peppers decided to take a break from the business of being a band: A break that, to hear Kiedis tell it, was a long time coming.
"We had a little coffee break there ... it was a hell of a big cup," he said, laughing. "It was kind of an unspoken, obvious time for [it]. By the end of the Stadium Arcadium tour, which was a year and a half, everybody was like a pile of broken dolls, and no one could really conceive of not taking a break.
"So when somebody uttered 'Two-year break,' everyone just hip-hip hoorayed, and without really knowing what that would mean, it was a good idea," he continued. "It was just an innate, gut-instinct good idea. And everybody went and did things that made a lot of sense."
And though the self-imposed hiatus lasted two years (and included Frusciante's departure,) there was never a moment where Kiedis ever thought about doing anything but the Red Hot Chili Peppers. And even if fans began to worry about the band's future — Arcadium was released in 2006, making this the longest period between albums in RHCP history — he never did — partially because he never lost the passion, but mostly because he knew rebirths take a long time.
"I have never felt anywhere close to being done. I was pretty sure after the last record that the best was yet to come, but I always kind of feel like that, like if you want it, it's there," he said. "I like really old people that still make out intensely with their wives or girlfriends ... why would you ever stop?"
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Monday, 29 August 2011
Michael Jackson - Beat It
- Artist: Michael Jackson
- Label: Epic Records
- Director: Bob Giraldi
- Album: Thriller [Bonus Tracks]
Source: http://www.mtv.com/overdrive/?artist=1102&vid=26721
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Ke$ha - My First Kiss
- Artist: Ke$ha
- Label: Photo Finish Records
- Director: Isaac Ravishankara
Source: http://www.mtv.com/overdrive/?artist=3213641&vid=523194
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Usher - Trading Places
- Artist: Usher
- Label: Zomba/LaFace Records
- Director: Chris Robinson
- Album: Here I Stand
Source: http://www.mtv.com/overdrive/?artist=1270&vid=285678
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Tony Bennett Reveals Advice He Wishes He'd Given Amy Winehouse
'I wanted to stop her' from using drugs, legendary crooner tells MTV News.
By Kara Warner, with reporting by Jim Cantiello
Tony Bennett and Amy Winehouse record "Body and Soul" together in 2010
Photo: Sony
One of the most moving moments at the 2011 Video Music Awards Sunday night was the tribute to Amy Winehouse, who died earlier this summer. The look back at the 27-year-old's indelible influence included memories from Russell Brand and Tony Bennett, followed by a performance of "Valerie" by Bruno Mars.
When MTV News caught up with the legendary Bennett immediately after the tribute, he spoke fondly of Winehouse's incredible talent and their time together recording their duet (and the "Rehab" singer's final recording), "Body and Soul." Bennett then spoke of how tragic he thought her death was, saying that he wished he'd been able to pass along a few words of wisdom before it was too late.
See photos of Amy Winehouse's life and career.
"I can say this now — I didn't want to say it on the show," Bennett said. "What I wanted to do, I wanted to stop her, I wanted to tell her that many years ago I was naughty also with some drugs." But, Bennett revealed, a quote from a friend stuck with him for life.
"Woody Allen's manager at the time [Jack Rollins] said he knew Lenny Bruce," Bennett explained, recalling a conversation about the boundary-breaking comedian and satirist who died young of a drug overdose. "[Rollins] said one sentence that changed my life: He said, 'He sinned against his talent.' I wanted to tell her that and I had to leave because we were touring all over the world making this album, and I never got a chance to do it.
"My son called up and said she died, and I couldn't believe that I didn't get that message to her," Bennett added sadly. The cause of Winehouse's death is still undetermined, but her family released a statement last week saying that toxicology tests found no illegal substances in her body.
The 28th annual MTV Video Music Awards have wrapped, but the real action is just getting started! Stick with MTV News for winners, fashion pics, video and behind-the-scenes stories about everything that went down. Visit VMA.MTV.com for the latest.
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'Hunger Games' VMA First Look: Run, Katniss, Run!
Gale's voice echoes in Katniss' head as she makes a run for it in exclusive sneak peek that debuted during VMAs.
By Eric Ditzian
Jennifer Lawrence in "The Hunger Games"
Photo: Lionsgate
Katniss Everdeen had to wait her turn at the 2011 MTV Video Music Awards. First there were eye-popping performances from Lady Gaga and Beyoncé, Moonmen to bestow on best new artists and finest hip-hop videos and special appearances from Misters Beavis and Butt-head. But when Katniss finally got her chance to shine as the first-ever glimpse at footage from "The Hunger Games" debuted at the VMAs on Sunday night (August 28), she didn't waste any time in blazing a memorable pop-culture moment: She ran and ran and ran and ran.
The first-look teaser featured Oscar nominee Jennifer Lawrence as the reluctant warrior, tearing through the forest, sidestepping giant fireballs and uncorking her bow and arrow to show all who were watching that she's not to be messed with.
"I wish I could be at the VMAs in person, but I'm in North Carolina filming 'The Hunger Games,' " Lawrence said in a special introduction that played before the footage. "Like so many of you, I'm a huge fan of these books, and I can't wait to share the movie with you in March. Here's the first glimpse of 'The Hunger Games.' "
And there it was: Run, Katniss, run!
An adaptation of Suzanne Collins' best-selling novel, "Hunger Games" tells the dystopian tale of Katniss and Peeta, two teenagers living in a future in which the United States has crumbled and a new country -- 12 impoverished districts overseen by an authoritarian Capitol -- has risen up in its place. The Capitol stages a brutal annual tournament called the Hunger Games, a battle to the death among 24 young people that's broadcast to the nation as a means to terrorize and yet somehow entertain the citizenry -- and this year, Katniss and Peeta are roped into the gladiatorial action.
The VMA footage dials in on Katniss as she's trying to survive within the Hunger Games arena, where threats from bloodthirsty teenagers, devious game-makers and deadly beasts abound. As she runs, the voice of Gale Hawthorne, her hunting pal from back in the district, echoes in her head. "Listen to me: You're stronger than they are," he says. "You are. They just want a good show. That's all they want. You know how to hunt. Show them how good you are."
The teaser comes to a close as Katniss indeed shows how good she is: arrow meeting flaming target. But all this is just a taste of what's to come, as director Gary Ross told MTV News earlier this week. "We're still shooting, so unfortunately it's just a teaser. We could only give you a little bit because we're still down here making the movie," he said. "But there's a lot of things to come that I think are going to be hugely epic and very emotional and incredibly powerful."
The 28th annual MTV Video Music Awards have wrapped, but the real action is just getting started! Stick with MTV News for winners, photos, video and behind-the-scenes stories about everything that went down. Visit VMA.MTV.com for the latest.
Check out everything we've got on "The Hunger Games."
For young Hollywood news, fashion and "Twilight" updates around the clock, visit HollywoodCrush.MTV.com.
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Britney Spears Calls VMA Tribute 'An Honor'
Spears tells MTV News her onstage smooch with Lady Gaga's Jo Calderone wasn't planned.
By James Montgomery
Britney Spears with Lady Gaga as Jo Calderone
Photo: Kevin Winter/ Getty Images
Britney Spears played it humble during her Video Music Awards tribute -- using her time onstage to shine the spotlight on her fellow performer, Beyoncé -- not an easy feat to accomplish in between nabbing the Michael Jackson Video Vanguard Award and getting kissed by Lady Gaga's male alter ego Jo Calderone.
When MTV News caught up with Spears minutes after stepping offstage, she stayed humble, calling the tribute "an honor" and once again deflecting the spotlight.
"It was really crazy. I had no idea what to expect," Spears said. "The kids were amazing and so entertaining, and it was a really fun night. It was really cool. I was like, 'Wow, that's really sweet!'
"I loved the little girl in the 'Slave' outfit," she continued. "She was just so tiny and she delivered and she had such a great performance. ... They were all so great, and you could tell they worked really hard."
And Spears didn't stop there either. For an artist who's won more than her fare share of VMAs in her career, she was blown away by Sunday night's Best Pop Video triumph. "Every year ... just to come here is such an honor, you never get used to it," she smiled. "But tonight means so much to me." In a night full of high-water moments, it was her tribute smooch from Gaga -- er, Calderone -- that she gushed about backstage. Especially because she said the kiss was totally unplanned.
"She was in full character!" Spears said. "We just got onstage and we just kind of felt it out; we didn't know what was going on, so it was interesting!"
The 28th annual MTV Video Music Awards have wrapped, but the real action is just getting started! Stick with MTV News for winners, fashion pics, video and behind-the-scenes stories about everything that went down. Visit VMA.MTV.com for the latest.
Related Videos Related Photos Related ArtistsSource: http://www.mtv.com/news/articles/1669873/britney-spears-vma-tribute.jhtml
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Sunday, 28 August 2011
'Conan The Barbarian': The Reviews Are In!
While critics prefer the remake to Arnold Schwarzenegger's original, reviews aren't glowing.
By Terri Schwartz
Jason Momoa in "Conan the Barbarian"
Photo: Lionsgate Entertainment
"Conan the Barbarian" isn't trying to pull any punches. From the beginning, the remake of the 1982 cult classic proclaims that its lead lives, loves, slays and is content. And critics are saying that's exactly what you get in theaters.
Reviews haven't necessarily been positive, with critics complaining about the script and the one-dimensional characters. But they seem to agree that Jason Momoa did a better job in the title role than Arnold Schwarzenegger, and the movie is fun — at least as a mindless summer blockbuster. It might not be worth spending the extra money to see the flick in 3-D, but the fighting is good and gory if that's what fans are looking for.
But don't let us tell you what to think. Before you head to theaters to watch "Conan the Barbarian," find out what the critics thought of "Conan the Barbarian" in our review round-up:
The Script
"With a script so pat and humor-free, Momoa has little to do but sneer and slice. The film informs us that Conan has the heart of a lion and 'the loyalty of a bloodhound,' but we get nary a sniff of that in this carnage fest. He's built like a tank, but Conan emotes like one, too." — Scott Bowles, USA Today
The Effects
"This 'Conan' plods along, regularly erupting in action scenes that make scant visual sense in two dimensions and none at all in 3-D. The few that stick out involve supernatural beasties; there's one ferocious battle against warriors made of sand that combines athletic parkour and digital effects to surprisingly exciting ends. Other than that, it's tame stuff, and there's little sense of the larger mythical stage the hero strides across." — Ty Burr, The Boston Globe
The Remake
"The original 'Conan' was a sloppy, grandiose, unforgivable muckbath directed by the (I say the words lovingly) right-wing maniac John Milius. I watched it about four times to make sure it had no redeeming qualities. The reboot (re-sandal?) isn't good either, exactly. But it has a certain commitment to its cause, and by that I mean it supplies the necessary flayings, slayings, beheadings and, um, a be-nose-ing, all of it dancing to the tune of those amusingly stilted He-Man declaratives — King James Bible cadences applied to comic-book visions. It knows it's a B movie, and gets on with it." — Kyle Smith, The New York Post
The Schwarzenegger Connection
"In this dank ultimate-fighting challenge, Jason Momoa as Conan provides the only visual vivacity; he has an eye-catchingly sensuous face atop the requisite statuesque beefcake. Much more than Schwarzenegger in his early Teutonic-slab phase, Momoa nicely fulfills the law of Hollywood Darwinism: survival of the dishiest. Such is his sex appeal that he almost brings plausibility to the movie's silliest scene, when Conan tells Tamara, 'I live, I love, I slay, and I am content,' and the virgin instantly falls into his arms. Guys bringing their dates to this murky holocaust are advised not to try using Conan's credo as a pickup line." — Richard Corliss, Time
The Final Word
" 'Conan the Barbarian,' starring the excellent rippling chisel of Jason Momoa, is brutal, bloody beyond belief, and has no socially redeeming value. So it is with a certain amount of guilt that I say it's kind of a wicked blast to watch, especially if you're in the mood for some righteous revenge." — Betsy Sharkey, The Los Angeles Times
Check out everything we've got on "Conan the Barbarian."
For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com.
Source: http://www.mtv.com/news/articles/1669393/conan-barbarian.jhtml
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Beyonc� - Diva
- Artist: Beyoncé
- Label: Columbia, Music World Music
- Director: Melina
- Album: I Am...Sasha Fierce
Source: http://www.mtv.com/overdrive/?artist=1236911&vid=333569
Cinthia Moura Claudette Ortiz Coco Lee Connie Nielsen Cristina Dumitru Daisy Fuentes Dania Ramirez
Who We Want To Host SNL This Season!
Summer is leaving… but TV is coming back!!
We so super psyched for this upcoming season of SNL!!
Okay, we admit the last couple seasons haven't been great. BUT, This year 'Merica is getting ready for the presidential election and Kristen Wiig is better than ever so we have high hopes for this season!
Don't disappoint [...]
We so super psyched for this upcoming season of SNL!!
Okay, we admit the last couple seasons haven't been great. BUT, This year 'Merica is getting ready for the presidential election and Kristen Wiig is better than ever so we have high hopes for this season!
Don't disappoint [...]
Source: http://perezhilton.com/2011-08-28-gallery-who-we-want-to-host-snl-this-season
Arielle Kebbel Ashanti Ashlee Simpson Ashley Greene Ashley Olsen Ashley Scott Ashley Tappin
Michael Jackson's Legacy, Two Years Later, By the Numbers
Legendary singer's impact continues to blossom in the two years since his death; MTV News breaks down the figures.
By Gil Kaufman
Michael Jackson
Photo: Kevin Mazur/ WireImage
Like Elvis, Bob Marley, Notorious B.I.G. and Frank Sinatra before him, Michael Jackson's influence has continued, and grown, since his untimely death on June 25, 2009.
On the second anniversary of the King of Pop's passing, MTV News took a look at the enduring appeal of MJ's music, videos and imagery, which continue to fascinate and attract fans across the globe thanks to a series of posthumous albums, a movie, video games and two upcoming Cirque du Soleil live shows.
Where Were You Two Years Ago When You Heard the News? Tell Us on Facebook
$72 million: According to Box Office Mojo, Jackson's posthumous concert film, "This Is It," has grossed more than $72 million to date domestically and $189 million in foreign markets for a worldwide take over more than $261 million. It ranks as the #2 music documentary of all-time behind Justin Bieber's "Never Say Never." The film has also generated nearly $45 million in DVD sales in the U.S.
16: In May, Jackson lodged his first #1 on the Billboard magazine Dance/ Club Play Songs chart in 16 years with the latest single from his posthumous Michael album, "Hollywood Tonight."
2: Number of posthumous albums that have been released since Michael's death in June 2009. Last year's Michael has sold just over 510,000 copies to date, while the This Is It collection has moved nearly 1 million copies to date in the U.S., according to Nielsen SoundScan.
15,000: The number of videos submitted by fans since March for the crowdsourced video for "Behind the Mask." After they were edited down by a five-person team over two months, the resulting clip used submissions from more than 1,600 participants from 103 countries.
3 million: The amount of copies sold of the Ubisoft "Michael Jackson: The Experience" video game worldwide.
$57 million: The reported cost of Cirque du Soleil's traveling MJ show, "The Immortal World Tour, which is slated to kick off on October 2.
$1 billion: That gaudy figure is the reported amount the Jackson estate had generated by last June on the first anniversary of the singer's death. According to Billboard, the revenue was generated by a combination of music sales ($429 million), film/TV revenue ($392 million), music publishing ($130 million), licensing ($35 million) and a $31 million recording contract. (A spokesperson for Jackson's estate declined to provide updated figures for this story.)
$310 million: The amount of gross earnings reported by the executors of the estate in a December 2010 court filing detailing the progress made in paying off the $400 million in debt run up by the spendthrift singer during his lifetime.
16.1 million: MJ was always a big singles artist. Yes, Thriller is one of the best-selling albums of all time, but even in death, fans can't resist cherry-picking some of Michael's best songs. That explains why he's sold more than 16 million digital tracks since June 28, 2009, the first sales week following his passing, according to Nielsen SoundScan. To put that in perspective, from the time Nielsen began counting digital tracks in 2004 until the week before Jackson's death, the singer had sold just over 8.1 million digital tracks, a figure that has doubled in just the past two years.
2013: The projected launch for a second, non-touring Cirque show celebrating Jackson. The yet-untitled show is slated to open in the spring of 2013 at a new theater being built at the Mandalay Bay Resort & Casino in Las Vegas.
$25 million to $50 million: That's how much Jackson's estate takes in on an annual basis thanks to his stake in the half-million-song Sony/ATV catalog, which includes titles by Elvis, Lady Gaga, Eminem, Beyoncé and Bob Dylan.
Share your memories of Michael Jackson in the comments.
Related Photos Related ArtistsSource: http://www.mtv.com/news/articles/1666426/michael-jackson-anniversary.jhtml
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'Fright Night': The Reviews Are In!
Colin Farrell flick 'blends Eighties cheese with Nineties snark — a combination that works better than it sounds,' critics say.
By Kara Warner
Colin Farrell in "Fright Night"
Photo: DreamWorks
If you've seen the "Fright Night" trailers or are familiar with the '85 cult classic, you know this is not your run-of-the-mill vampire movie — at least by today's "Twilight" standards, anyway. There are no swoony undead to be found in this horror-comedy — just a lot of blood and plenty of laughs.
Here at MTV News, we've been amped about the film from the get-go, and even featured it as part of our exclusive Sneak Peek Week leading up to the Movie Awards. The film stars Colin Farrell as a bloodthirsty vampire who heads to suburbia and terrorizes his next-door neighbor Charley, played by "Star Trek" veteran Anton Yelchin. Christopher Mintz-Plasse plays vampire convert "Evil" Ed Thompson, "Harry Potter" alum and former "Doctor Who" David Tennant is vamp-hunting showman Peter Vincent and "Solitary Man" breakout Imogen Poots portrays love interest Amy, with Toni Collette and Dave Franco also popping up.
Now that the well-received reboot is finally in theaters, it's time to see what the critics think. Grab your garlic and hold onto some holy water as we sift through the "Fright Night" reviews.
The Original Story Vs. The Reboot "You'll need a taste for nostalgia to really appreciate 'Fright Night,' which knowingly blends Eighties cheese with Nineties snark — a combination that works better than it sounds. Authenticity is the key to the movie's success: the remake is actually based on a 1985 horror flick, and was written by Marti Noxon, well-known for her work on 'Buffy the Vampire Slayer.' One thing's for sure: if you're expecting the self-serious brooding of 'Twilight,' you're gonna be disappointed. But if you have a soft spot for cult horror comedies like 'The Lost Boys,' 'The Monster Squad,' or even the first 'Fright Night,' this ought to be right up your (dark) alley. Noxon and director Craig Gillespie update the attitude for a post-'Buffy' generation, but their remake is generally faithful to the original." — Elizabeth Weitzman, New York Daily News
The Performances "Former 'Doctor Who' star David Tennant has a plum role as a Criss Angel-like Vegas cheeseball whose vampire-themed stage show might hide a special connection to vampire lore. It's a big, fun performance overshadowed only by Farrell, who plays his character as a monster who's learned to use an ordinary-dude exterior to blend in with his new surroundings. When he asks Yelchin for a 'sixer,' Farrell delivers his lines with a Matt Dillon-like flatness, but his eyes tell another story: Beneath the surface, he's all coiled hunger and pitiless manipulation, doing what he has to do to get close to victims who, against their better judgment, want to get close to him. He creates almost unbearable tension by doing virtually nothing at all, and though 'Fright Night' eventually reveals him as the vampire equivalent of the f---ing shark from 'Jaws,' it's never better than when it lets him poke his fin just above the surface." — Keith Phipps, the Onion A.V. Club
The Final Word "As in the earlier film, this one dances always at the edge of comedy. It especially has fun with the Rules of Vampire Behavior, which Jerry even teases Charley about. Without spoiling a single thing, I can tell you that one of the inevitable stakes through the heart in this movie is an inspired use of product placement. As vampire movies go, 'Fright Night' is a pretty good one." — Roger Ebert, Chicago Sun-Times
Check out everything we've got on "Fright Night."
For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com.
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